“I immediately thought that this was genuinely a very, very special talent,” Mr. Kosinski had turned the commercials into free-standing pieces of entertainment. By using light, music and perspective in creative ways Mr. His ads, some of which are viewable on, were moody, arresting sales pitches for Chevrolet cars, Nike shoes and video games like Gears of War. Kosinski - who had an unusual visual style. Bailey had heard through the Hollywood grapevine about a director of commercials - that would be Mr.
TRON LEGACY GAME DISNEY XD HOW TO
Kosinski convince Disney he was remotely qualified to shoulder this load? It sounds corny, but it all started back in 2007 with one guy who believed in him: Sean Bailey, a Disney producer who was trying to figure out how to reinvent “Tron.” Mr. At the same time it must be accessible enough - warm enough despite all of the chilly white and blue neon - to attract rank-and-file moviegoers, particularly older ones. Lisberger’s movie, or the core fan base will crucify it. So the basic challenge for “Tron: Legacy” is twofold. “I’m assuming you’ve heard of Facebook?” Another now-quaint notion: “Tron” was banned from the Oscar race for visual effects because using a computer was considered cheating. “It’s a science-fiction story that actually came true: inside a computer is a world where you, or a version of you, can go and live,” said Steven Lisberger, who wrote and directed “Tron” and served as a producer on the sequel. The first “Tron,” released by Disney in 1982, was a box office disappointment (as was “Blade Runner” that same year), but its computer-generated effects and story line - a hacker is pulled inside a computer and forced to play space-age gladiator games - deeply influenced a generation of techies. “Tron: Legacy,” written by the “Lost” alumni Edward Kitsis and Adam Horowitz, also revisits sacred ground for science fiction fans.
TRON LEGACY GAME DISNEY XD MOVIE
But “Tron” marks one of its biggest movie gambles ever, not only because of its huge production and marketing cost (an estimated $150 million globally) but because Disney has moved forward with spinoffs - “Tron: Uprising,” an ambitious animated series for Disney Channel and Disney XD, is already deep in production - without waiting to see how the film is received. A gutsy move to rename its Rapunzel movie “Tangled” to play down the princess paid off with stellar Thanksgiving ticket sales, for instance. The goal is a juggernaut franchise on the scale of “Pirates of the Caribbean,” a series that appeals squarely to boys but is mainstream enough to lure everyone else and hit a cultural nerve.ĭisney has been taking more risks lately. And David Fincher’s directing experience was mostly limited to commercials and music videos (Madonna’s “Vogue”) when he was given “Alien3.”īut “Tron: Legacy,” as evidenced by the Category 5 marketing storm that Walt Disney Studios has whipped up on its behalf, is not just any multiplex behemoth. (Newbie directors can also be easier for studios to control.) Joseph McGivney Nichol, better known as McG, had only directed two shorts and several music videos when Sony gave him a $100 million budget to make “Charlie’s Angels.” Michael Bay was best known for directing a Meat Loaf video when he landed “Bad Boys,” the 1995 Will Smith vehicle. Handing over a major motion picture to a director with a very thin résumé is not unheard of, in part because vision matters even in risk-averse Hollywood. After all, when a reporter asked him a silly question - what kind of building best describes you? - he gave a revealing answer: “Tall and thin with no windows.” Instead the cool exterior seems designed to keep people out of his head. Raised in Marshalltown, Iowa - population 26,000 - he is quiet, polite and interested in other people’s opinions in a way that is rare in moviedom’s major leagues. If he came across as more arrogant, you might believe that he is really this confident. “I had a very clear idea of what I wanted ‘Tron: Legacy’ to look like.” “As a director, if you know what you want, then it’s not scary,” he said. Kosinski, 36, slouched on a sofa in his dimly lighted office, took a careful sip of mint tea and tried to explain his unflappable demeanor. Kosinski, an architect by training, waited a beat and then smiled. “I’ve got some bad news for you,” he said to Olivia Wilde, who plays a cyber warrior named Quorra. Kosinski showed “ Tron: Legacy” to his cast for the first time, he was the epitome of calm an ice sculpture would have looked like a nervous wreck next to him. Overt hopes for a sequel.īut late last month, as Mr. An extensive line of related toys, clothes, jewelry and electronics. 17, and it’s not exactly a cinematic baby step. THE very first feature that Joseph Kosinski has ever directed - “Tron: Legacy” - cruises into theaters on Dec.
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